Hybrid, 1997, oil on linen, 91 x 91 cm

Innocence, 1997, oil on linen, 137 x 61 cm

Seed, 1997, oil on linen, 91 x 91 cm

Tomb, 1997, oil on linen, 91 x 91 cm

Little Woman, 1997, oil on linen, 120 x 115 cm

That which has seemed darkest quivers now like jelly and is plucked from our eyes, 1997, leather form, Japanese Seed beads, 59 x 34 cm

That which has seemed darkest quivers now like jelly and is plucked from our eyes, 1997, leather form, Japanese Seed beads, 59 x 34 cm

Factories for Perveilabilities,1997, cotton form, Japanese Seed beads, rouge powders, red tulle, 59 x 34 cm

She loves me she loves me not, 1997, cotton form, Japanese Seed beads, permanent ink, red tulle, 59 x 34 cm

That which has seemed darkest, 1997, leather form, Japanese Seed beads, red tulle, 59 x 34 cm

That which has seemed darkest, 1997, leather form, Japanese Seed beads, red tulle, 59 x 34 cm

Thou Shalt Not, 1997, cotton, Japanese Seed beads, red glitter, glue, red, tulle, 59 x 32 cm

Naivety & Obsession, 1997, Installation Mezzanine, GAG Projects (Formerly Greenaway Art Gallery)